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    Un torero monté sur les épaules d'un chulo lanceado un taureau. (A bullfighter, mounted on the shoulders of an assistant, spearing a bull); rejected plate [D] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M25943

    Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; late 19th century printing
    Accession Number: M27939

    Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M27940

    Un caballero español mata un toro despues de haber perdid el caballo. (A Spanish noble kills a bull after he has lost his horse); from the series "Tauromaquia" (Bullfighting), plate 9

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16
    Accession Number: 1973.704

    Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish noble, without help of assistants, breaks short rejónes (spears) in the plaza); from the series "Tauromaquia" (Bullfighting), plate 13

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16
    Accession Number: 1973.705

    Palenque de los moros hecho con burros para defenderse del toro embolado. (Barricades that the Moors made with donkeys to defend themselves from a bull with covered horns); from the series "Tauromaquia" (Bullfighting), plate 17

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16
    Accession Number: 1973.706

    Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.257

    Otro modo de cazar á pie. (Another way of hunting on foot); from the series "Tauromaquia" (Bullfighting), plate 2

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.258

    Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.259

    Un torero monté sur les épaules d'un chulo lanceado un taureau. (A bullfighter, mounted on the shoulders of an assistant, spearing a bull); rejected plate [D] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed 1876
    Accession Number: 1974.294

    Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4

    Francisco Goya y Lucientes
    Date: 1815- 1816
    Accession Number: 1974.260

    El animoso moro Gazul es el primero que lanceó toros en regla. (The spirited Moor Gazul is the first to spear bulls according to the rules); from the series "Tauromaquia" (Bullfighting), plate 5

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.261
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