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    Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed 1876
    Accession Number: 1974.295

    Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed 1876
    Accession Number: 1974.296

    Los moros hacen otro capeo en plaza con su albornoz. (The Moors make a different play in the ring calling the bull with their burnous); from the series "Tauromaquia" (Bullfighting), plate 6

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.262

    Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed 1876
    Accession Number: 1974.297

    Origen de los arpones o banderillas. (Origin of the harpoons or banderillas); from the series "Tauromaquia" (Bullfighting), plate 7

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; published 1816
    Accession Number: 1974.263

    Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10

    Francisco Goya y Lucientes
    Date: 1815–16
    Accession Number: 1974.266

    El Cid Campeado laneando otro toro. (The Cid Campeador spearing another bull); from the series "Tauromaquia" (Bullfighting); plate 11

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; published 1816
    Accession Number: 1974.267

    Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas. (The rabble hamstring the bull with lances, sickles, banderillas, and other arms); from the series "Tauromaquia" (Bullfighting), plate 12

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.268

    Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish noble, without help of assistants, breaks short rejónes (spears) in the plaza); from the series "Tauromaquia" (Bullfighting), plate 13

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.269

    El diestrísimo estudiante de Falces, embozadado burla al toro con sus quiebros. (The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body); from the series "Tauromaquia" (Bullfighting), plate 14

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.270

    El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho places the banderillas playing the bull with the movement of his body); from the series "Tauromaquia" (Bullfighting), plate 15

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.271

    El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 1974.272
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