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    Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish noble, without help of assistants, breaks short rejónes (spears) in the plaza); from the series "Tauromaquia" (Bullfighting), plate 13

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.13

    El diestrísimo estudiante de Falces, embozadado burla al toro con sus quiebros. (The very skillfull student of Falces, wrapped in his cape, tricks the bull with the play of his body); from the series "Tauromaquia" (Bullfighting), plate 14

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.14

    El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho places the banderillas playing the bull with the movement of his body); from the series "Tauromaquia" (Bullfighting), plate 15

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th or early 20th century
    Accession Number: M21239.15

    El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.16

    Palenque de los moros hecho con burros para defenderse del toro embolado. (Barricades that the Moors made with donkeys to defend themselves from a bull with covered horns); from the series "Tauromaquia" (Bullfighting), plate 17.

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.17

    Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed: late 19th to early 20th century
    Accession Number: M21239.18

    Otra locura suya en la misma plaza. (More of his ["Martincho's"] madness in the same ring); from the series "Tauromaquia" (Bullfighting), plate 19

    Francisco Goya y Lucientes
    Date: 1815' published 1816, printed late 19th century
    Accession Number: M21239.19

    Ligereza y atrevimiento de Juanito Apiñani en la de Madrid. (The agility and audacity of Juanito Apiñani in [the ring] at Madrid); from the series "Tauromaquia" (Bullfighting), plate 20

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.20

    Desgracias anaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Unhappy accident in the bleachers of the Madrid ring and death of the mayor of Torrejon); from the series "Tauromaquia" (Bullfighting), plate 21

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M21239.21

    Valor varonil de la celebre Pajuelera en la de Zaragoza. (Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 22

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.22

    Mariano Ceballos, alias el Indio, mata el tot desde su caballo. (Mariano Ceballos, called "el Indio", kills the bull from horseback); from the series "Tauromaquia" (Bullfighting), plate 23

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed late 19th century
    Accession Number: M21239.23

    El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M21239.24
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