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    Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815; published 1816
    Accession Number: 1974.287

    Banderillas with Firecrackers (Banderillas de fuego)
    Tauromaquia 31

    Francisco Goya y Lucientes
    Date: 1815
    Accession Number: 1991.741

    Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; printed: late 19th to early 20th century
    Accession Number: M21239.1

    Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 25.1171

    Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2

    Francisco Goya y Lucientes
    Date: 1815–1816
    Accession Number: 25.1172

    Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 25.1173

    Mariano Ceballos, alias el Indio, mata el tot desde su caballo. (Mariano Ceballos, called "el Indio", kills the bull from horseback); from the series "Tauromaquia" (Bullfighting), plate 23

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16
    Accession Number: 25.1174

    Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29

    Francisco Goya y Lucientes
    Date: Drawn and etched about 1815–16; published 1816
    Accession Number: 25.1175

    Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M27942

    Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M27943

    Les chiens lâché sur le taureau. (The dogs let loose on the bull); rejected plate [C] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16
    Accession Number: M27941

    Un torero monté sur les épaules d'un chulo lanceado un taureau. (A bullfighter, mounted on the shoulders of an assistant, spearing a bull); rejected plate [D] for the series "Tauromaquia" (Bullfighting)

    Francisco Goya y Lucientes
    Date: Drawn and etched 1815–16; printed late 19th century
    Accession Number: M27944
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