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This large abstract ring by Claire Falkenstein stands on its own and looks like a figure with a blue marble-like head. Its right arm is extended, as if gesturing to stop or throwing a punch. Falkenstein began working in glass during a trip to Venice in 1954. She subsequently became known for her large glass and metal sculptures, but she also experimented with the same materials and techniques to make smaller-scaled jewelry. She was among the first to utilize the ideas of abstract expressionism in jewelry. In her wearable sculpture, Falkenstein not only explored the connection between matter and space but also how the piece could be comfortably worn on the body.
Ring
Claire Falkenstein (American, 1908–1997)
about 1955
Object Place: Paris, France
Medium/Technique
Silver, glass
Dimensions
Overall: 6.4 x 4.4 x 3.2 cm (2 1/2 x 1 3/4 x 1 1/4 in.)
Credit Line
The Daphne Farago Collection
Accession Number2006.173
CollectionsJewelry, Contemporary Art, Americas
ClassificationsJewelry / Adornment – Rings
This large abstract ring by Claire Falkenstein stands on its own and looks like a figure with a blue marble-like head. Its right arm is extended, as if gesturing to stop or throwing a punch. Falkenstein began working in glass during a trip to Venice in 1954. She subsequently became known for her large glass and metal sculptures, but she also experimented with the same materials and techniques to make smaller-scaled jewelry. She was among the first to utilize the ideas of abstract expressionism in jewelry. In her wearable sculpture, Falkenstein not only explored the connection between matter and space but also how the piece could be comfortably worn on the body.
DescriptionFused Murano glass ball set in bent silver wire
Signed
Script "F" with "C" in circle stamped on bottom of one " foot"
ProvenanceGansevoort Gallery; Daphne Farago, May 30, 2001 Daphne Farago; to MFA, 2006, gift of Daphne Farago.
Copyright© Falkenstein Foundation, By Permission.