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K'iché burial or cache urn lid

Maya
Late Classic Period
A.D. 650–850
Object Place: K'iche, Guatemala, Southern Highlands

Medium/Technique Earthenware: white, black, yellow, and red paint
Dimensions 116.8 x 71 cm (46 x 27 15/16 in.)
Credit Line Gift of Landon T. Clay
Accession Number1988.1296a
CollectionsAmericas
ClassificationsCeramicsPotteryEarthenware
This lid's figure has the cropped hair and T-shaped tooth of a solar deity. The meaning of the enigmatic supernatural emerging from the Xoc creature and the rows of humanoid heads remain mysterious, reminding us how little is known of Classic Maya religion.

Catalogue Raisonné MS1090
DescriptionThis burial or cache urn lid is decorated with a modeled and painted rendering of a seated supernatural figure with large eyes, three prominant incisor teeth, closely cropped hair, and a spiral rolled headpiece. He may be the sun god K'inich Ajaw although he lacks the squared pupils and crossed eyes that typically define this deity. His jewelry includes long tubular ear ornaments, a band of tubular beads on each wrist, and a band of round beads below his bent knees. A curved element attached to the bridge of his nose and lower forehead is pierced by two small rods of clay painted white. His clothing consists of a yellow-painted vest and a long white loincloth.
ProvenanceBetween about 1974 and 1981, probably purchased in Guatemala by John B. Fulling (b. 1924 – d. 2005), The Art Collectors of November, Inc., Pompano Beach, FL; May 20, 1987, sold by John B. Fulling to Landon T. Clay, Boston; 1988, year-end gift of Landon Clay to the MFA. (Accession Date: January 25, 1989)

NOTE: This is one in a group of Maya artifacts (MFA accession nos. 1988.1169 – 1988.1299) known as the “November Collection” after John Fulling’s company, the Art Collectors of November, Inc. John Fulling sold this group of objects to MFA donor Landon Clay in 1987, and they were given to the Museum the following year.
Evidence suggests that John Fulling built the November Collection from sources in Guatemala between 1974 and 1981. Only a portion of what he acquired during this time came to the MFA in 1988. It is not possible to determine precisely which objects were acquired when or from whom.