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Disparate Femenino (Feminine Folly); from a set of "Disparates" [also known as "Proverbios",] plate 1
Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched about 1815–19; printed about 1848-1854
Medium/Technique
Etching, aquatint, and tonal scratches; posthumous impression, early trial proof
On slightly textured, medium weight, grayish, cream wove paper, without watermark
On slightly textured, medium weight, grayish, cream wove paper, without watermark
Dimensions
Platemark: 24.3 x 35 cm (9 9/16 x 13 3/4 in.)
Sheet: 26.1 x 37.5 cm (10 1/4 x 14 3/4 in.)
Sheet: 26.1 x 37.5 cm (10 1/4 x 14 3/4 in.)
Credit Line
Museum purchase with funds by exchange from the bequest of Horatio Greenough Curtis and the Harvey D. Parker Collection—Harvey Drury Parker Fund
Accession Number1973.701.1
NOT ON VIEW
CollectionsEurope, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Harris 248, II, 1; Delteil 0202
DescriptionGray / black ink, the plate with bevel.
Posthumous impression (printed between 1848-54 from a pre-publication, lightly bound set of 18 prints, within a tan paper cover with the inscription "GOYA / Los Proverbios / Madrid hacia 1848".
The flyleaf of the set carries inscriptions by the previous owner, Philip Hofer, including his printed label, and "Bought years ago - ca. 1938 [corrected to 1928] - Emil Hirsch in Munich."
The preferred series title "Disparates" (Follies or Absurdities) is derived from titles in Goya's hand on fourteen of the working proofs, of which this subject is one (Museo Lazaro Galdiano, Madris). A. Beruete (1918) and others invented titles containing "Disparate" for the rest, except "Modo de volar" (no. 13).
The term "Proverbios" was applied at the time of the printing of the first edition in 1864.
Posthumous impression (printed between 1848-54 from a pre-publication, lightly bound set of 18 prints, within a tan paper cover with the inscription "GOYA / Los Proverbios / Madrid hacia 1848".
The flyleaf of the set carries inscriptions by the previous owner, Philip Hofer, including his printed label, and "Bought years ago - ca. 1938 [corrected to 1928] - Emil Hirsch in Munich."
The preferred series title "Disparates" (Follies or Absurdities) is derived from titles in Goya's hand on fourteen of the working proofs, of which this subject is one (Museo Lazaro Galdiano, Madris). A. Beruete (1918) and others invented titles containing "Disparate" for the rest, except "Modo de volar" (no. 13).
The term "Proverbios" was applied at the time of the printing of the first edition in 1864.
Signed
etched in plate,vertically l.r.: Goya
InscriptionsSigned in etching l.r. vertically : Goya; l.r. in red chalk: 1 (not by Goya); l.l. across bottom, in graphite in English: state description in accordance with Delteil (possibly hand of P. Hofer); verso, in graphite: MFA acc. no.: 1973.701.1
ProvenanceAbout 1928, Emil Hirsch (dealer; b. 1866 – d. 1954), Munich and New York; by 1950, sold by Hirsch, or by his son-in-law, Hellmuth Wallach (dealer; b. 1901 – d. 1989), Munich and New York, to Philip Hofer (b. 1898 – d. 1984), Cambridge, MA [see note 1]; 1973 , sold by Philip Hofer, through R. M. Light, Boston, to the MFA. (Accession Date: June 13, 1973)
[1] There is a note on the flyleaf for this set of prints (MFA accession nos. 1973.701.1-18) in Philip Hofer’s hand that reads: "Bought years ago - ca. 1928 – Emil Hirsch in Munich". It is unclear precisely what Hofer’s note means. Hirsch was a Jewish rare book dealer in Munich, who was forced to close his business in May of 1937. He immigrated to the United States in 1938. His son-in-law, Hellmuth Wallach, likewise a dealer, fled Munich in 1937 and worked with Hirsch (at Emil Hirsch Rare Books and Prints) in New York beginning in 1938. According to Emanuel von Baeyer, The Hellmuth Wallach Collection: From the Master of the Tarocchi Cards to Manet (London, 2016), p. 122, Wallach sold the set of prints to Philip Hofer. Hofer first lent them to the MFA in 1950.
[1] There is a note on the flyleaf for this set of prints (MFA accession nos. 1973.701.1-18) in Philip Hofer’s hand that reads: "Bought years ago - ca. 1928 – Emil Hirsch in Munich". It is unclear precisely what Hofer’s note means. Hirsch was a Jewish rare book dealer in Munich, who was forced to close his business in May of 1937. He immigrated to the United States in 1938. His son-in-law, Hellmuth Wallach, likewise a dealer, fled Munich in 1937 and worked with Hirsch (at Emil Hirsch Rare Books and Prints) in New York beginning in 1938. According to Emanuel von Baeyer, The Hellmuth Wallach Collection: From the Master of the Tarocchi Cards to Manet (London, 2016), p. 122, Wallach sold the set of prints to Philip Hofer. Hofer first lent them to the MFA in 1950.