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Orpheus Charming the Animals

Aelbert Cuyp (Dutch, 1620–1691)
about 1640

Medium/Technique Oil on canvas
Dimensions 113 x 167cm (44 1/2 x 65 3/4in.)
Framed: 140.7 x 194.6 x 9.8 cm (55 3/8 x 76 5/8 x 3 7/8 in.)
Credit Line Promised gift of Rose-Marie and Eijk van Otterloo, in support of the Center for Netherlandish Art
Accession NumberL-R 251.2017
CollectionsEurope
ClassificationsPaintings
The ancient Roman poet Ovid recounts how Orpheus, a legendary Greek musician, pacified wild animals with his soothing music. Here Cuyp places Orpheus in a typical Dutch landscape, populated with native species such as bulls, goats, and cats. But Cuyp adds American, Asian, and African creatures, too, including jaguars, a camel, an elephant, and an ostrich. Cuyp probably saw many of these species in person, but he almost certainly studied pictures of them in prints and books as well. His menagerie reflects the explosion of scientific knowledge that came with overseas trade and colonial ventures. The picture is, at the same time, an illustration of a Classical story, a landscape, and an animal painting. But it also makes a political statement, drawing a parallel between Orpheus’s power over the animals and the Dutch Republic’s dominance of the globe.

Inscriptionss., l.r.
ProvenanceJohan van Nispen (b. 1700 – d. 1776), The Hague; September 12, 1768, Nispen sale, Rietmulder, The Hague, lot 139, sold for 171 guilders. Hendrik Verschuuring (b. about 1695 - d. 1769), The Hague; September 17, 1770, Verschuuring estate sale, Rietmulder, The Hague, lot 38, sold for 350 guilders to Lemmens [see note 1]. Probably Captain William Baillie (b. 1723 – d. 1810); February 2, 1771, Baillie sale, Langford, London, lot 70. Harper family, London and possibly Paris [see note 2]. About 1930, purchased in Paris by a private collection, Madrid; until 1994, by descent within the family; July 6, 1994, anonymous (“Property of a Lady") sale, Sotheby's, London, lot 8, sold to Johnny van Haeften, Ltd., London with Konrad Bernheimer, Artemis Ltd., London, and Otto Naumann, New York; 2017, sold by Johnny van Haeften to Eijk and Rose-Marie van Otterloo, Marblehead, MA.

NOTES:
[1] According to the 1994 Sotheby’s catalogue. The provenance of this painting has been confused in early literature and is sometimes erroneously noted as being in the Marquis of Bute collection.

[2] Johnny van Haeften, Dutch and Flemish Old Master Paintings (London, 1999), cat. no. 10, notes that on the stretcher is a label from the London office of the French shipping company Chenue with the name “Harper” written in ink, and that Sotheby’s stated the family of the owner in 1994 had bought the painting in Paris in 1930.