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In this painting Claesz. combines two still-life categories: a simple meal on a table and a “little tobacco” (toebackje). Herring, a modest fish praised as “Holland’s glory,” was caught locally while tobacco was imported in large quantities from the Americas. The smoking implements comprise an open tobacco tin, a brazier with glowing coals, slivers of wood that functioned as matches, and a pipe. Claesz. employed a distinctive monochrome palette. Avoiding bright tones, he used color subtly; notice the beer’s amber hue echoed in the earthenware brazier, or the herring’s silvery surface picked up by the pewter tobacco container.
Still Life with Glasses and Smoking Implements
Pieter Claesz. (Dutch, about 1597–1660)
1638
Medium/Technique
Oil on panel
Dimensions
50.2 x 68.6 cm (19 3/4 x 27 in.)
Framed: 69.4 x 88.4 cm (27 5/16 x 34 13/16 in.)
Framed: 69.4 x 88.4 cm (27 5/16 x 34 13/16 in.)
Credit Line
Gift of Rose-Marie and Eijk van Otterloo, in support of the Center for Netherlandish Art
Accession Number2019.2093
OUT ON LOAN
On display at Kimbell Art Museum, Fort Worth, TX, November 10, 2024 – February 9, 2025
On display at Kimbell Art Museum, Fort Worth, TX, November 10, 2024 – February 9, 2025
CollectionsEurope
ClassificationsPaintings
In this painting Claesz. combines two still-life categories: a simple meal on a table and a “little tobacco” (toebackje). Herring, a modest fish praised as “Holland’s glory,” was caught locally while tobacco was imported in large quantities from the Americas. The smoking implements comprise an open tobacco tin, a brazier with glowing coals, slivers of wood that functioned as matches, and a pipe. Claesz. employed a distinctive monochrome palette. Avoiding bright tones, he used color subtly; notice the beer’s amber hue echoed in the earthenware brazier, or the herring’s silvery surface picked up by the pewter tobacco container.
InscriptionsMonogrammed and dated lower left: PC 1638
ProvenancePaul Amand Collette (b. 1853 – d. 1917), Nevers, France; until 2014, by descent within the family, probably through his daughter Henriette Collette Munich (b. 1885 – d. 1975), Paris [see note 1]. March 2014, sold by Haboldt and Co., Paris, to Eijk and Rose-Marie van Otterloo, Marblehead, MA; 2019, gift of Eijk and Rose-Marie van Otterloo to the MFA. (Accession Date: December 11, 2019)
NOTES:
[1] According to Frederik J. Duparc in Dutch and Flemish Masterworks: From the Rose-Marie and Eijk van Otterloo Collection (Boston, 2020), p. 34.
NOTES:
[1] According to Frederik J. Duparc in Dutch and Flemish Masterworks: From the Rose-Marie and Eijk van Otterloo Collection (Boston, 2020), p. 34.