A figure stands in the center of the bronze plaque, holding a sword and carrying a bundle on top of his head. This plaque is part of a set of more than 800 that once decorated the pillars in the audience hall of the Oba, or king, of Benin. Unlike many figures that appear in the plaques, this man is holding a functional sword, not the dull-edged ceremonial swords used for performances at court. It is not, however, entirely clear what the man carries on top of his head. Because he carries a sword, some scholars have suggested that he is bringing wood to a place of sacrifice, but the shape of the objects in his bundle are too finely worked for kindling. He wears a single strand of beads around his neck, likely a circlet of coral given by the Oba to lower-ranking courtiers. The man's wrapper is made of two layers of fine cloth with complex patterns, and an elaborately decorated belt. The man wears an ivory or brass image of a leopard head on his left hip, an ornament that helps to tie his wrapper securely. The baldric across his chest is made of leopard-skin, as you can see from the small circles the artist painstakingly included, and this further connects this man to the Oba; the leopard, the swift and aggressive king of the forest, is a metaphor for the Benin king. The fish surrounding the main figure are another metaphor for the Oba. Mudfish are further indicative of royal power because they live in oceans and rivers, the abode of the god of wealth and the source of royal coral regalia.
Many plaques made in this period have ornamental motifs in each corner. If you look closely, you can see an angled pattern on the left side of the plaque, on a piece of metal that would have wrapped around the palace pillar. New scholarship suggests that this pattern is the mark of a particular head of the brass-casting guild, allowing scholars to date the plaques to different production periods.

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