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「尼子十勇士面々会合主家再興評定図」 「寺元生死之助」八代目片岡仁左衛門、「荒浪碇之助」初代坂東亀蔵、「横道兵庫之助」五代目坂東彦三郎 「早川鮎之助」六代目市川団蔵、「山中鹿之助」初代中村福助、「妻九重姫」三代目岩井粂三郎、「秋宅庵之助」二代目沢村訥升ヵ 「高橋亘之助」初代河原崎権十郎、「藪中茨之助」三代目市川市蔵、「大谷古猪之助」四代目市川小団次、「皐月早苗之助」三代目関三十郎
The Ten Valiant Retainers of Amago Gather Together to Restore the Clan (Amago jû yûshi no menmen kaigô shuka saitô hyôjô no zu): Actors Kataoka Nizaemon VIII as Teramoto Seishinosuke, Bandô Kamezô I as Aranami Ikarinosuke, Bandô Hikosaburô V as Yokomichi Hyôgonosuke (R), Ichikawa Danzô VI as Hayakawa Ayunosuke, Nakamura Fukusuke I as Yamanaka Shikanosuke, Iwai Kumesaburô III as Wife (Tsuma) Kokonoe-hime, Sawamura Tosshô II (?) as Akiyake Iorinosuke (C), Kawarazaki Gonjûrô I as Takahashi Watarinosuke, Ichikawa Ichizô III as Yabunaka Ibaranosuke, Ichikawa Kodanji IV as Ôtani Koinosuke, and Seki Sanjûrô III as Satsuki Sanaenosuke (L)
「尼子十勇士面々会合主家再興評定図」 「寺元生死之助」八代目片岡仁左衛門、「荒浪碇之助」初代坂東亀蔵、「横道兵庫之助」五代目坂東彦三郎 「早川鮎之助」六代目市川団蔵、「山中鹿之助」初代中村福助、「妻九重姫」三代目岩井粂三郎、「秋宅庵之助」二代目沢村訥升ヵ 「高橋亘之助」初代河原崎権十郎、「藪中茨之助」三代目市川市蔵、「大谷古猪之助」四代目市川小団次、「皐月早苗之助」三代目関三十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ebisuya Shôshichi (Kinshôdô) (Japanese)
Publisher: Ebisuya Shôshichi (Kinshôdô) (Japanese)
Japanese
Edo period
1857 (Ansei 4), 9th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.5 x 24.5 cm (14 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29111, 11.40830, 11.40831
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTriptych: 11.29111 (center), 11.40830 (right), 11.40831 (left)
見立
見立
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seals: aratame, Snake 9
No blockcutter's mark
改印：改、巳九
彫師：なし
No blockcutter's mark
改印：改、巳九
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.