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Narumi: Woman Doing Arimatsu Shibori Tie-dying, from the series Fifty-three Pairings for the Tôkaidô Road (Tôkaidô gojûsan tsui)


「東海道五十三対 鳴海」 有松絞り
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Iseya Ichiemon (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Japanese
Edo period
about 1845–46 (Kôka 2–3)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 35.8 x 24.5 cm (14 1/8 x 9 5/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.45385.41
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Marks, Kunisada's Tôkaidô (2013), #T78-41; Nat. Mus. of J. Hist., Nishiki-e wa ika ni tsukurareta ka (2009), #99 (print), #100 (blocks); Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S44.42
DescriptionStation 41, from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.

MFA impressions: 11.22417, 11.30436, 11.45385.41
Signed Ôju Kôchôrô Toyokuni ga
応需香蝶楼豊国画
Marks Censor's seal: Mura
Blockcutter's mark: Horikô Fusajirô
改印:村
彫師:彫工房次郎
Inscriptions鳴海より壱里ほど東に有松村といふあり 此所の名物は細き木綿をいろいろに絞りて紅と藍とに染分諸国ヘ商ふ これをありまつしぼりといふ 店前に多くかざりてこれをのみあきなふ家所々にあり
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.