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夏の朝 （源氏絵）
A Summer Morning
夏の朝 （源氏絵）
Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 34.8 x 73 cm (13 11/16 x 28 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29698, 11.29699, 11.29767
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks et al., Genji's World (2012), list #G199 (no photo)
DescriptionTriptych: 11.29698 (right), 11.29699 (center), 11.29767 (left)
MFA impressions: 11.29588-90, 11.29698VR (11.29698, 11.29699, 11.29767), 11.43562a-c
MFA impressions: 11.29588-90, 11.29698VR (11.29698, 11.29699, 11.29767), 11.43562a-c
Signed
Kunisada aratame Toyokuni ga (on right sheet), Ichiyôsai Toyokuni hitsu (on center sheet), Kôchôrô Toyokuni ga (on left sheet)
国貞舎豊国画 一陽斎豊国画 香蝶楼豊国画
国貞舎豊国画 一陽斎豊国画 香蝶楼豊国画
Marks
Censors' seals: Kinugasa, Murata
No blockcutter's mark
改印：衣笠、村田
彫師：なし
No blockcutter's mark
改印：衣笠、村田
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.