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「末廣五十三次 程ヶ谷」
Hodogaya, from the series Fifty-three Stations of the Fan [of the Tôkaidô Road] (Suehiro gojûsan tsugi)
「末廣五十三次 程ヶ谷」
Utagawa Yoshiiku (Japanese, 1833–1904)
Publisher: Morimoto Junzaburô (Japanese)
Blockcutter: Watanabe Eizô (Hori Ei) (Japanese, 1833–1901)
Publisher: Morimoto Junzaburô (Japanese)
Blockcutter: Watanabe Eizô (Hori Ei) (Japanese, 1833–1901)
Japanese
Edo period
1865 (Genji 2/Keiô 1), intercalary 5th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 × 24 cm (14 1/16 × 9 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29506.6
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Konishi, Nishiki-e Bakumatsu Meiji no rekishi 3 (1977), p. 47; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #170
DescriptionComplete set of 55 prints plus title page, mounted in album: 11.29506.1-56
Signed
Chôkarô Yoshiiku ga
朝霞楼芳幾画
朝霞楼芳幾画
Marks
Censor's seal: intercalary 5 aratame [sic; no animal name]
Blockcutter's mark: Hori Ei
改印：閏五改
彫師：彫栄
Blockcutter's mark: Hori Ei
改印：閏五改
彫師：彫栄
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.