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「名所江戸百景 亀戸天神境内」
Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
「名所江戸百景 亀戸天神境内」
Japanese
Edo period
1856 (Ansei 3), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 x 24.5 cm (14 1/16 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.36876.43
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Sakai, Hiroshige Edo fûkei (1996), list #12.35, pls. 189-191; Smith & Poster, 100 Views (1986), #65; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.33
DescriptionNo. 065 (summer section) on the title page for the series.
MFA impressions: 06.636, 11.36876.43, 21.9470, 52.1423
夏の部。正保3（1646）年に筑前（福岡）太宰府天満宮のご神木「飛梅（とびうめ）」で作った菅原道真像を亀戸村の小祠に祭ったのが亀戸天満宮の始まりという。印象派の画家モネは本図に影響を受け、自宅に太鼓橋のある日本庭園を作ったとされる。 -- 藤澤紫Ｋ
MFA impressions: 06.636, 11.36876.43, 21.9470, 52.1423
夏の部。正保3（1646）年に筑前（福岡）太宰府天満宮のご神木「飛梅（とびうめ）」で作った菅原道真像を亀戸村の小祠に祭ったのが亀戸天満宮の始まりという。印象派の画家モネは本図に影響を受け、自宅に太鼓橋のある日本庭園を作ったとされる。 -- 藤澤紫Ｋ
Signed
Hiroshige hitsu
広重筆
広重筆
Marks
Censor's seals: aratame, Dragon 7
No blockcutter's mark
改印：改、辰七
彫師：なし
No blockcutter's mark
改印：改、辰七
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.