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「名所江戸百景 真崎辺（まっさきあたり）より水神の森内川関屋の里を見る図」
View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya (Massaki-hen yori Suijin no mori Uchigawa Sekiya no sato o miru zu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
「名所江戸百景 真崎辺（まっさきあたり）より水神の森内川関屋の里を見る図」
Japanese
Edo period
1857 (Ansei 4), 8th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 x 24.5 cm (14 1/16 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.36876.25
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Sakai, Hiroshige Edo fûkei (1996), list #12.98, pls. 327, 328; Smith & Poster, 100 Views (1986), #36; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.97
DescriptionNo. 036 (spring section) on the title page for the series.
MFA impressions: 06.867, 11.36876.25, 11.45653, 21.9458, 21.9459
春の部。真崎稲荷は参詣すればまっさきに願いがかなうとされ、江戸でも人気の稲荷であった。境内には豆腐田楽（とうふでんがく）で有名な甲子屋（きのえねや）などの茶店や料亭が多い。図もこれらの店の二階の円窓越しに、水神社の鳥居、関屋の里を望む。 -- 藤澤紫Ｋ
MFA impressions: 06.867, 11.36876.25, 11.45653, 21.9458, 21.9459
春の部。真崎稲荷は参詣すればまっさきに願いがかなうとされ、江戸でも人気の稲荷であった。境内には豆腐田楽（とうふでんがく）で有名な甲子屋（きのえねや）などの茶店や料亭が多い。図もこれらの店の二階の円窓越しに、水神社の鳥居、関屋の里を望む。 -- 藤澤紫Ｋ
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seals: aratame, Snake 8
No blockcutter's mark
改印：改、巳八
彫師：なし
No blockcutter's mark
改印：改、巳八
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.