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「橋本屋白糸」三代目岩井粂三郎 「寿々木主水」八代目片岡仁左衛門 「女房お八十」五代目市川団之助、「わかとう彦助」五代目坂東彦三郎
Actors Iwai Kumesaburô III as Hashimotoya Shiraito (R), Kataoka Nizaemon VIII as Suzuki Mondo (C), Ichikawa Dannosuke V as the Wife (Nyôbô) Oyaso, and Bandô Hikosaburô V as Wakatô Hikosuke (L)
「橋本屋白糸」三代目岩井粂三郎 「寿々木主水」八代目片岡仁左衛門 「女房お八十」五代目市川団之助、「わかとう彦助」五代目坂東彦三郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Itoya Shôbei (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Publisher: Itoya Shôbei (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Japanese
Edo period
1861 (Man'en 2/Bunkyû 1), 4th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37.5 x 78 cm (14 3/4 x 30 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.21575, 11.21576, 11.22487
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTriptych: 11.21575-6 (right, center), 11.22487 (left)
Play: Date Kurabe Okuni Kabuki
Theater: Nakamura
伊達競阿国歌舞妓(だてくらべおくにかぶき)
中村
1861、文久01
Play: Date Kurabe Okuni Kabuki
Theater: Nakamura
伊達競阿国歌舞妓(だてくらべおくにかぶき)
中村
1861、文久01
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Chicken 4 aratame
Blockcutter's mark: Hori Chô
改印:酉四改
彫師:彫長
Blockcutter's mark: Hori Chô
改印:酉四改
彫師:彫長
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.