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右 八代目市川団十郎、初代大谷友松ヵ、五代目市川海老蔵、初代坂東佐十郎、四代目市川小団次、三代目浅尾奥山、三代目嵐璃寛、七代目市川高麗蔵 中 三代目嵐吉三郎、初代坂東しうか、初代幡谷七右衛門、松本国五郎、五代目沢村長十郎、三代目関三十郎、二代目市川九蔵、四代目尾上梅幸 左 「大入丸」 三代目岩井粂三郎、初代坂東竹三郎、三代目尾上新七、初代嵐冠五
Actors on the Pleasure Boat Full House (Ôiri-maru): Ichikawa Danjûrô VIII, Ôtani Tomomatsu I(?), Ichikawa Ebizô V, Bandô Sajûrô I, Ichikawa Kodanji IV, Asao Okuyama III, Arashi Rikan III, Ichikawa Komazô VII (R); Arashi Kichisaburô III, Bandô Shûka I, Hatagaya Shichiemon I, Matsumoto Kunigorô, Sawamura Chôjûrô V, Seki Sanjûrô III, Ichikawa Kuzô II, Onoe Baikô IV (C); Iwai Kumesaburô III, Bandô Takesaburô I, Onoe Shinshichi III, Arashi Kangorô I (L)
右 八代目市川団十郎、初代大谷友松ヵ、五代目市川海老蔵、初代坂東佐十郎、四代目市川小団次、三代目浅尾奥山、三代目嵐璃寛、七代目市川高麗蔵 中 三代目嵐吉三郎、初代坂東しうか、初代幡谷七右衛門、松本国五郎、五代目沢村長十郎、三代目関三十郎、二代目市川九蔵、四代目尾上梅幸 左 「大入丸」 三代目岩井粂三郎、初代坂東竹三郎、三代目尾上新七、初代嵐冠五
Japanese
Edo period
about 1850–52 (Kaei 3–5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.5 x 74.5 cm (14 x 29 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29200-2
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTriptych: 11.29200 (left), 11.29201 (center), 11.29202 (right)
MFA impressions: 11.29200-2, 11.44020a-c, 11.44045a-c, *11.45347 (right sheet; deaccessioned in 2012), *11.45348 (left sheet; deaccessioned in 2012)
MFA impressions: 11.29200-2, 11.44020a-c, 11.44045a-c, *11.45347 (right sheet; deaccessioned in 2012), *11.45348 (left sheet; deaccessioned in 2012)
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Kinugasa, Watanabe, shita-uri
No blockcutter's mark
改印：衣笠、渡辺、シタ売
彫師：なし
No blockcutter's mark
改印：衣笠、渡辺、シタ売
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.