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Actors Onoe Matsusuke II as Yamada no Saburô Kanetsugu (R), Onoe Shôroku I as the Spirit (Reikon) of Hanjo (C), and Ichikawa Danjûrô VII as Hôjô Tokigorô Masauji in the Scene with Three Swords (Sanbon tachi no zu) (L)


「山田の三郎兼次 尾上松助」 (二代目)  「斑女の霊魂 尾上松録」(初代)  「北条時五郎政氏 市川団十郎」(七代目)「三本太刀之図」
Utagawa Toyokuni I (Japanese, 1769–1825)
Publisher: Shimizu (Japanese)
Japanese
Edo period
1810 (Bunka 7), 6th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban triptych; 39.3 x 79.5 cm (15 1/2 x 31 5/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.22820-2
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Another print of this scene: Waseda db 001-0860
DescriptionTriptych: 11.22820 (left), 11.22821 (right), 11.22822 (center)

Play (shosa, finale of Part 2): Onoe no Kane Shinobu no Yogatari
Play (main feature): Neya no Ôgi Sumizome-zakura
Theater: Ichimura
尾上の鐘忍夜話(おのえのかねしのぶのよがたり)
閨扇墨染桜(ねやのおうぎすみぞめざくら)
市村、二番目大切
Signed Toyokuni ga (on each sheet)
豊国画
Marks Censor's seal: kiwame (on right and center sheets)
改印:極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.