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「四季遊観 納涼（すずみ）のほたる」
Catching Fireflies in the Cool of the Evening (Suzumi no hotaru), from the series Excursions in the Four Seasons (Shiki yûkan)
「四季遊観 納涼（すずみ）のほたる」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Japanese
Edo period
1843–47 (Tenpô 14–Kôka 4)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 36.8 x 75.9 cm (14 1/2 x 29 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.15945, 11.15964, 11.16055
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
MFA, Kuniyoshi & Kunisada (2016), #151; Iwakiri 2011, #201; Schaap, Heroes and Ghosts (1998), #124
DescriptionTriptych: 11.15945 (left), 11.15964 (right), 11.16055 (center)
MFA impressions: 11.15945VR (11.15945, 11.15964, 11.16055), 11.30394-6
MFA impressions: 11.15945VR (11.15945, 11.15964, 11.16055), 11.30394-6
Signed
Ichiyûsai Kuniyoshi ga (on each sheet)
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seal: Muramatsu
Blockcutter's mark: Horikô Fusajirô (on center and left sheets)
改印：村松
彫師：彫工房次郎
Blockcutter's mark: Horikô Fusajirô (on center and left sheets)
改印：村松
彫師：彫工房次郎
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.