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「土手のお六・奥女中竹川」三代目岩井粂三郎 「でつち久松・油屋おそめ」三代目岩井粂三郎 「母貞昌・賎の女お作・言号おみつ」三代目岩井粂三郎
Actor Iwai Kumesaburô III in Seven Roles: Dote no Oroku and the Palace Maid (Okujochû) Takekawa (R); the Apprentice (Detchi) Hisamatsu and Aburaya Osome (C); the Mother (Haha) Sadamasa, the Poor Girl (Shizunome) Osaku, and Omitsu (L)
「土手のお六・奥女中竹川」三代目岩井粂三郎 「でつち久松・油屋おそめ」三代目岩井粂三郎 「母貞昌・賎の女お作・言号おみつ」三代目岩井粂三郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Yamaguchiya Tōbei (Kinkōdō) (Japanese)
Publisher: Yamaguchiya Tōbei (Kinkōdō) (Japanese)
Japanese
Edo period
1850 (Kaei 3), 1st month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.9 x 75.6 cm (14 1/8 x 29 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45548a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.29729 (right sheet only), 11.39033 (right sheet only), 11.39696-8, 11.45548a-c
Play (second feature): Osome Hisamatsu Ukina no Yomiuri
Play (main feature): Yama Warau Haru no Kiyomizu
Theater: Kawarazaki
お染久松色読販（おそめひさまつうきなのよみうり）
山笑春清水（やまわらうはるのきよみず）
河原崎、二番目
1850、嘉永０３、01・25
Play (second feature): Osome Hisamatsu Ukina no Yomiuri
Play (main feature): Yama Warau Haru no Kiyomizu
Theater: Kawarazaki
お染久松色読販（おそめひさまつうきなのよみうり）
山笑春清水（やまわらうはるのきよみず）
河原崎、二番目
1850、嘉永０３、01・25
Signed
Kôchôrô Toyokuni ga (on right and left sheets), Ichiyôsai Toyokuni ga (on center sheet)
香蝶楼豊国画 一陽斎豊国画（年玉印）
香蝶楼豊国画 一陽斎豊国画（年玉印）
Marks
Censors' seals: Kinugasa, Watanabe
No blockcutter's mark
改印：衣笠、渡辺
彫師：なし
No blockcutter's mark
改印：衣笠、渡辺
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.