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「江戸名所百人美女 新吉原満花」
Cherry Blossoms in Full Bloom in the New Yoshiwara (Shin Yoshiwara manka), from the series One Hundred Beautiful Women at Famous Places in Edo (Edo meisho hyakunin bijo)
「江戸名所百人美女 新吉原満花」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Utagawa Kunihisa II (Japanese, 1832–1891)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Other artist: Utagawa Kunihisa II (Japanese, 1832–1891)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Japanese
Edo period
1857 (Ansei 4), 11th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 x 25.5 cm (14 3/16 x 10 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45253
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.15293, 11.29758, 11.45253
Signed
Toyokuni ga, in toshidama cartouche (main image); Kunihisa ga (inset)
豊国画(年玉枠)、国久画
豊国画(年玉枠)、国久画
Marks
Censor's seals: aratame, Snake 11
No blockcutter's mark
改印：改、巳十一
彫師：なし
No blockcutter's mark
改印：改、巳十一
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.