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「江戸の華名勝会 ま 五番組」 「三河台」 「関東小六 市川市蔵」（三代目）
Ma Brigade, Fifth Group, Mikawadai: Actor Ichikawa Ichizô III as Kantô Koroku, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)
「江戸の華名勝会 ま 五番組」 「三河台」 「関東小六 市川市蔵」（三代目）
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Kawanabe Kyôsai (Japanese, 1831–1889)
Other artist: Shunkai (Japanese, active 1863)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Other artist: Kawanabe Kyôsai (Japanese, 1831–1889)
Other artist: Shunkai (Japanese, active 1863)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Japanese
Edo period
1863 (Bunkyû 3), 12th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.4 x 24.8 cm (14 5/16 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45147
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 101, #0761
DescriptionForms the center sheet of a triptych of kite-flying themes, with a continuous kite string.
MFA impressions:
Right sheet: 11.21821, 11.45146, 11.45396.14 (creped, in album)
Center sheet: 11.21822, 11.45147, 11.45396.15 (creped, in album)
Left sheet: 11.21411, 11.21823, 11.45152, 11.45396.16 (creped, in album)
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
MFA impressions:
Right sheet: 11.21821, 11.45146, 11.45396.14 (creped, in album)
Center sheet: 11.21822, 11.45147, 11.45396.15 (creped, in album)
Left sheet: 11.21411, 11.21823, 11.45152, 11.45396.16 (creped, in album)
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
Signed
Toyokuni ga, in toshidama cartouche (top left); Shunkai (top right); Seisei Kyôsai (bottom)
豊国画(年玉枠)、春海、惺々狂斎
豊国画(年玉枠)、春海、惺々狂斎
Marks
Censor's seal: Boar 12 aratame
Blockcutter's mark: Katada Hori Chô
改印：亥十二改
彫師：片田彫長
Blockcutter's mark: Katada Hori Chô
改印：亥十二改
彫師：片田彫長
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.