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「江戸の花名勝会 ほ 八番組」 「首尾の松」 「井筒や伝兵衛 坂東彦三郎」（五代目）
Ho Brigade, Eighth Group, Shubi no matsu: Actor Bandô Hikosaburô V as Izutsuya Denbei, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)
「江戸の花名勝会 ほ 八番組」 「首尾の松」 「井筒や伝兵衛 坂東彦三郎」（五代目）
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Koikawa Hakuga (Japanese, born about 1784)
Other artist: Shôgetsu (Japanese, born about 1800)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Matsushima Daijirô (Hori Dai) (Japanese)
Other artist: Koikawa Hakuga (Japanese, born about 1784)
Other artist: Shôgetsu (Japanese, born about 1800)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Matsushima Daijirô (Hori Dai) (Japanese)
Japanese
Edo period
1862 (Bunkyû 2), 12th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.3 x 24.8 cm (14 5/16 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45139
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.42523, 11.45139
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
Signed
Nanajûhachi ô Toyokuni ga, in toshidama cartouche (bottom left); Nanajûkyûsai Hakuga (top); Rokujûsan ô Shôgetsu (bottom right)
七十八翁 豊国画(年玉枠)、七十九齢白峨、六十三叟松月
七十八翁 豊国画(年玉枠)、七十九齢白峨、六十三叟松月
Marks
Censor's seal: Dog 12 aratame
Blockcutter's mark: Horikô Daijirô
改印：戌十二改
彫師：彫工大次郎
Blockcutter's mark: Horikô Daijirô
改印：戌十二改
彫師：彫工大次郎
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.