Advanced Search
「東都高名会席尽 扇屋 熊谷直実」 五代目市川海老蔵
The Ôgiya Restaurant: (Actor Ichikawa Ebizô V) as Kumagai Naozane, from the series Famous Restaurants of the Eastern Capital (Tôto kômei kaiseki zukushi)
「東都高名会席尽 扇屋 熊谷直実」 五代目市川海老蔵
Utagawa Hiroshige I (Japanese, 1797–1858)
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Uemura Yasugorô (Hori Yasu) (Japanese)
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Uemura Yasugorô (Hori Yasu) (Japanese)
Japanese
Edo period
1852 (Kaei 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37 x 25.1 cm (14 9/16 x 9 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45093
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Sakai, Hiroshige Edo fûkei (1996), list #8.10, pl. 46; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 251, ôban #48.16
DescriptionMFA impressions: 11.29299, 11.37809, 11.45093
Signed
Toyokuni ga, in toshidama cartouche (on portrait); Hiroshige (on inset)
豊国画(年玉枠)、広重
豊国画(年玉枠)、広重
Marks
Censors' seals: Fuku, Muramatsu, Rat 10
Blockcutter's mark: Horikô Ue Yasu
改印:福、村松、子十
彫師:彫工上安
Blockcutter's mark: Horikô Ue Yasu
改印:福、村松、子十
彫師:彫工上安
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.