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On Top of and beneath Ryôgoku Bridge
Japanese
Edo period
about 1795–96 (Kansei 7–8)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 39.5 x 77.8 cm (15 9/16 x 30 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.14484-6
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Asano & Clark, Passionate Art (1995), #254; Ukiyo-e shûka 3 (1978), list #299.4-6 (lower tier); Shibui, Ukiyo-e zuten Utamaro (1964), 19.2.1-3; Yoshida, Utamaro zenshû (1941), #376 (complete); Ukiyo-e taisei 7 (1931), #319
DescriptionTriptych (lower half of two-tier hexaptych): 11.14484 (right), 11.14485 (center), 11.14486 (left)
MFA impressions: 11.14484-6, 21.7404-6
Two sheets of the upper half: 21.7437-8
MFA impressions: 11.14484-6, 21.7404-6
Two sheets of the upper half: 21.7437-8
Signed
Utamaro hitsu (on each sheet)
歌麿筆
歌麿筆
Marks
No censor's seal
改印：なし
改印：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.