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Summer Mountains after Dong Yuan


擬董源夏山圖軸 (王鑑)
Wang Jian (Chinese, 1598–1677)
Chinese
Late Ming and early Qing dynasty
1642

Medium/Technique Ink on paper
Dimensions Image: 171 x 91 cm (67 5/16 x 35 13/16 in.)
Overall: 350 x 120 cm (137 13/16 x 47 1/4 in.)
Credit Line Gift of the Wan-go H. C. Weng Collection and the Weng family, in memory of Virginia Dzung Weng
Accession Number2014.1871
NOT ON VIEW
CollectionsAsia
ClassificationsPaintings

Catalogue Raisonné 15
Marks Artist’s seals:
Wang Jian zhi yin 王鑑之印 (square, intaglio)
Xuanzhao 玄照 (square, relief)
InscriptionsArtist’s inscription and signature (4 columns in standard script, dated 1642)
崇禎壬午春三月,屏蹟水村閑窗,展閱古人墨本,遂擬北苑夏山圖意,以適幽況。湘翁王鑑
In the third month of the renwu year [1642] of the Chongzhen region, I retreated to a river village. By a window I enjoyed at leisure ancient ink paintings. So I copied Beiyuan’s [Dong Yuan’s] manner of painting the Summer Mountains scroll to suit my seclusion.
ProvenanceAcquired in the nineteenth century by Weng Tonghe (b. 1830 – d. 1904), Changshu, China; 1904, by inheritance from Weng Tonghe to his great-grandson, Weng Zhilian (d. 1919), Changshu and Tianjin; 1919, by inheritance from Weng Zhilian to his son, Wan-go H.C. Weng, Tianjin, New York, and New Hampshire; 2002, transferred to the Hsing Ching Weng Trust, New Hampshire; 2014, gift of the Hsing Ching Weng Trust to the MFA. (Accession Date: December 10, 2014)