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「平壌激戦玄武門攻撃ノ際清兵嶮ニ據テ善ク防御シ日軍頗ル苦戦ス時ニ一勇兵アリ城壁ヲ乗越遂ニ関門大勝、倚テ古今ノ大功ヲ顕ス此人ハ誰ソ三河国住人歩兵一等卒原田重吉氏則是ナリ」
Private Harada Jûkichi Opens the Hyeonmu Gate from Within the Fort at Pyongyang
「平壌激戦玄武門攻撃ノ際清兵嶮ニ據テ善ク防御シ日軍頗ル苦戦ス時ニ一勇兵アリ城壁ヲ乗越遂ニ関門大勝、倚テ古今ノ大功ヲ顕ス此人ハ誰ソ三河国住人歩兵一等卒原田重吉氏則是ナリ」
Japanese
Meiji era
1894 (Meiji 27)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 36.8 × 74.9 cm (14 1/2 × 29 1/2 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number21.1786-8
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Chaikin, The Sino-Japanese War (1983), cat. no. 37, photo p. 145
DescriptionTriptych: 21.1786 (right), 21.1787 (center), 21.1788 (left)
MFA impressions: 21.1786-8, RES.27.202a-c
MFA impressions: 21.1786-8, RES.27.202a-c
Signed
Ôju Toshikata e
応需年方絵
応需年方絵
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 – d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.