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「和泉屋多右衛門」三代目>関三十郎 「きられ与三」初代河原崎権十郎、「手代藤八」初代坂東村右衛門 「横ぐしおとみ」三代目岩井粂三郎
Actors Seki Sanjûrô III as Izumiya Taemon (R), Kawarazaki Gonjûrô I as Kirare Yosa, Bandô Muraemon I as Tedai Tôhachi (C), and Iwai Kumesaburô III as Yokogushi Otomi (L)
「和泉屋多右衛門」三代目>関三十郎 「きられ与三」初代河原崎権十郎、「手代藤八」初代坂東村右衛門 「横ぐしおとみ」三代目岩井粂三郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Maruya Jinpachi (Marujin, Enjudô) (Japanese)
Publisher: Maruya Jinpachi (Marujin, Enjudô) (Japanese)
Japanese
Edo period
1860 (Ansei 7/Man'en 1), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.8 x 73.5 cm (14 1/8 x 28 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.44297a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Hachiman Matsuri Yomiya no Nigiwai
Theater: Ichimura
八幡祭小望月賑（はちまんまつりよみやのにぎわい）
市村
1860v万延０１
Theater: Ichimura
八幡祭小望月賑（はちまんまつりよみやのにぎわい）
市村
1860v万延０１
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Monkey 7 aratame
No blockcutter's mark
改印：申七改
彫師：なし
No blockcutter's mark
改印：申七改
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.