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「極楽寺所化清心」四代目市川小団次 「新造十六夜」三代目岩井粂三郎 「八重垣の紋三」初代河原崎権十郎
Actors Ichikawa Kodanji IV as Seishin, a Monk of Gokuraku-ji Temple (Gokuraku shoke Seishin) (R); Iwai Kumesaburô III as Shinzô Izayoi (C); and Kawarazaki Gonjûrô I as Yaegaki no Monzô (L)
「極楽寺所化清心」四代目市川小団次 「新造十六夜」三代目岩井粂三郎 「八重垣の紋三」初代河原崎権十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Kiya Sôjirô (Japanese)
Blockcutter: Koizumi Kanegorô (Hori Kane) (Japanese)
Publisher: Kiya Sôjirô (Japanese)
Blockcutter: Koizumi Kanegorô (Hori Kane) (Japanese)
Japanese
Edo period
1859 (Ansei 6), 1st month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37.5 x 75.5 cm (14 3/4 x 29 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.44242a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Kosode Soga Azami no Ironui
Theater: Icbhimura
小袖曽我薊色縫(こそでそがあざみのいろぬい)
市村
1859、安政06
Theater: Icbhimura
小袖曽我薊色縫(こそでそがあざみのいろぬい)
市村
1859、安政06
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Goat 1 aratame
Blockcutter's marks: Hori Kane (on right and left sheets), Koizumi Hori Kane (C)
改印:未正改
彫師:彫兼、小泉彫兼
Blockcutter's marks: Hori Kane (on right and left sheets), Koizumi Hori Kane (C)
改印:未正改
彫師:彫兼、小泉彫兼
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.