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「雑掌花菱左進」七代目市川高麗蔵 「善吉」初代中村福助 「賎の女おむら」十三代目市村羽左衛門
Actors Ichikawa Komazô VII as Zasshô Hanabishi Sashin (R), Nakamura Fukusuke I as Zenkichi (C), and Ichimura Uzaemon XIII as Shizunome Omura (L)
「雑掌花菱左進」七代目市川高麗蔵 「善吉」初代中村福助 「賎の女おむら」十三代目市村羽左衛門
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Daikokuya Heikichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Daikokuya Heikichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1854 (Kaei 7/Ansei 1), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37 x 77.7 cm (14 9/16 x 30 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.44133a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Negishi, "Sandai Toyokuni yakusha-e...," in Ukiyo-e geijutsu 154 (2007), p. 34, fig. 1
DescriptionPlay (shosa): Kantan
Play (main feature): Aoto-zôshi
Theater: Ichimura
邯鄲(かんたん) 常磐津
青砥稿(あおとぞうし)
市村、一番目六幕目
1854、嘉永07、10・14
Play (main feature): Aoto-zôshi
Theater: Ichimura
邯鄲(かんたん) 常磐津
青砥稿(あおとぞうし)
市村、一番目六幕目
1854、嘉永07、10・14
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seals: aratame, Tiger 10
Blockcutter's mark: Hori Take
改印:改、寅十
彫師:彫竹
Blockcutter's mark: Hori Take
改印:改、寅十
彫師:彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.