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「阿羅々仙人」十一代目森田勘弥、「翟曇汝弥」三代目岩井粂三郎 「耶偸陀羅姫」二代目中村富十郎、「羅睺羅太子」十三代目市村羽左衛門ヵ、「車匿舎人」三代目嵐吉三郎 「瑠理仙女」二代目尾上菊次郎、「神童子」二代目三枡源之助
Actors Morita Kan'ya XI as Arara Sennin, Iwai Kumesaburô III as Tekitan Jomi (?) (R), Nakamura Tomijûrô II as Yasudara-hime, Ichimura Uzaemon XIII (?) as Ragora Taishi, Arashi Kichizaburô III as Shanoku Toneri (C), Onoe Kikujirô II as Ruri Sennyo, and Nakamura Fukusuke I as a Divine Boy (Shindôji) (L)
「阿羅々仙人」十一代目森田勘弥、「翟曇汝弥」三代目岩井粂三郎 「耶偸陀羅姫」二代目中村富十郎、「羅睺羅太子」十三代目市村羽左衛門ヵ、「車匿舎人」三代目嵐吉三郎 「瑠理仙女」二代目尾上菊次郎、「神童子」二代目三枡源之助
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ebisuya Shôshichi (Kinshôdô) (Japanese)
Publisher: Ebisuya Shôshichi (Kinshôdô) (Japanese)
Japanese
Edo period
1853 (Kaei 6), 6th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37 x 76.2 cm (14 9/16 x 30 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.44093a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.29072-4, 11.44093a-c
Imaginary performance (mitate).
見立
嘉永6年6月前後に該当する興行なし。<2>中村富十郎は同年9月に市村座に江戸下りだが、それ以外の役者は同年度市村座に所蔵しているため予定稿の可能性が高い。 UY0177参照。[画題等][役者配役]☆は嬰の女部分が隹になったもの。
Imaginary performance (mitate).
見立
嘉永6年6月前後に該当する興行なし。<2>中村富十郎は同年9月に市村座に江戸下りだが、それ以外の役者は同年度市村座に所蔵しているため予定稿の可能性が高い。 UY0177参照。[画題等][役者配役]☆は嬰の女部分が隹になったもの。
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Fuku, Muramatsu, Ox 6
No blockcutter's mark
改印：福、村松、丑六
彫師：なし
No blockcutter's mark
改印：福、村松、丑六
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.