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「娘茶つみおかめ」初代中村歌女之丞、「馬士畑右衛門」四代目市川小団次 「名職人甚五郎」八代目市川団十郎、「けいこ娘おせん」四代目尾上梅幸 「白酒うり幸造」市川幸蔵、「田舎ごぜお三」三代目関三十郎、「白酒うり花すけ」四代目関花助
Actors Nakamura Kamenojô I as Okame, a Tea-picking Girl (Musume chatsumi); Ichikawa Kodanji IV as Hataemon, a Packhourse Driver (Mago); (R), Ichikawa Danjûrô VIII as Jingorô, a Successful Businessman (Meishokunin); Onoe Baikô IV as Osen, a Girl Coming from Her Lessons (Keiko musume) (C); Ichikawa Kôzô (?) as Kôzô, a Vendor of White Sake (Shirozake-uri); Seki Sanjûrô III as Osan, a Blind Woman Musician (Inaka goze); and Seki Hanasuke IV as Hanasuke, a Vendor of White Sake (Shirozake-uri) (L)
「娘茶つみおかめ」初代中村歌女之丞、「馬士畑右衛門」四代目市川小団次 「名職人甚五郎」八代目市川団十郎、「けいこ娘おせん」四代目尾上梅幸 「白酒うり幸造」市川幸蔵、「田舎ごぜお三」三代目関三十郎、「白酒うり花すけ」四代目関花助
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Japanese
Edo period
1853 (Kaei 6), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37 x 75.2 cm (14 9/16 x 29 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.44073a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay (shosa, interval): Toki ni Kanô Azuma Nishiki-e
Play (main feature): Kozotte Kuruwa Mimasu no Datezome
Theater: Nakamura
当叶東錦絵（ときにかのうあずまにしきえ） 常磐津、竹本
挙廓三升伊達染（こぞってくるわみますのだてぞめ）
中村、一番目と二番目の間
1853、嘉永０６、中旬、02・中
Play (main feature): Kozotte Kuruwa Mimasu no Datezome
Theater: Nakamura
当叶東錦絵（ときにかのうあずまにしきえ） 常磐津、竹本
挙廓三升伊達染（こぞってくるわみますのだてぞめ）
中村、一番目と二番目の間
1853、嘉永０６、中旬、02・中
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Fuku, Muramatsu, Ox 2
No blockcutter's mark
改印：福、村松、丑二
彫師：なし
No blockcutter's mark
改印：福、村松、丑二
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.