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雨宿り 「おこし売五郎吉」四代目市川小団次、「大かぐら鶴の丸の朝七」三代目嵐吉三郎、「西行法師」五代目沢村長十郎、「くわいらひし品玉妙作」初代中村福助 「幡隨意長兵衛」五代目市川海老蔵、「出雲屋於国」四代目尾上梅幸、「白井権八」三代目岩井粂三郎 「植木うり木ノ下東吉」四代目坂東彦三郎、「寿万歳竹松」初代坂東竹三郎、「けいしや梅のおよし」初代坂東しうか
Shelter from the Rain: Actors Ichikawa Kodanji IV as Okoshiuri Gorokichi, Arashi Kichisaburô III as Ôkagura Tsuru no maru no Asashichi, Sawamura Chôjûrô V as Saigyô Hôshi, Nakamura Fukusuke I as Kairaishi Shinadama Myôsaku (R), Ichikawa Ebizô V as Banzuii Chôbei, Onoe Baikô IV as Izumoya Okuni, Iwai Kumesaburô III as Shirai Gonpachi (C), Bandô Hikosaburô IV as Ueki-uri no Kinoshita Tôkichi, Bandô Takesaburô I as Kotobuki Banzai Takematsu, and Bandô Shûka I as the Geisha Ume no Oyoshi (L)
雨宿り 「おこし売五郎吉」四代目市川小団次、「大かぐら鶴の丸の朝七」三代目嵐吉三郎、「西行法師」五代目沢村長十郎、「くわいらひし品玉妙作」初代中村福助 「幡隨意長兵衛」五代目市川海老蔵、「出雲屋於国」四代目尾上梅幸、「白井権八」三代目岩井粂三郎 「植木うり木ノ下東吉」四代目坂東彦三郎、「寿万歳竹松」初代坂東竹三郎、「けいしや梅のおよし」初代坂東しうか
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ebisuya Shōshichi (Kinshōdō) (Japanese)
Publisher: Ebisuya Shōshichi (Kinshōdō) (Japanese)
Japanese
Edo period
about 1850–52 (Kaei 3–5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.5 x 74.6 cm (14 x 29 3/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43993a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionImaginary performance (mitate).
見立
[上演]嘉永3・5年の可能性もありヵ、要確認。
見立
[上演]嘉永3・5年の可能性もありヵ、要確認。
Signed
Ichiyôsai Toyokuni ga (on right sheet), Konomi ni makasete Toyokuni ga (on center sheet), Kôchôrô Toyokuni ga (on left sheet)
一陽斎豊国画 香蝶楼豊国画
一陽斎豊国画 香蝶楼豊国画
Marks
Censors' seals: Kinugasa, Murata, shita-uri
No blockcutter's mark
改印：衣笠、村田、シタ売
彫師：なし
No blockcutter's mark
改印：衣笠、村田、シタ売
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.