Advanced Search
「橋本屋内白糸」初代坂東しうか 「鈴木主水」五代目沢村長十郎 「主水妻おやそ」二代目尾上菊次郎
Actors Bandô Shûka I as Shiraito of the Hashimotoya (R), Sawamura Chôjûrô V as Suzuki Mondo (C), and Onoe Kikujirô II as Mondo's Wife (Tsuma) Oyaso (L)
「橋本屋内白糸」初代坂東しうか 「鈴木主水」五代目沢村長十郎 「主水妻おやそ」二代目尾上菊次郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1852 (Kaei 5), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.3 x 76.9 cm (13 7/8 x 30 1/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43978a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Sumidagawa Tsui no Kagamon
Theater: Ichimura
隅田川対高賀紋(すみだがわついのかがもん)
市村
1852、嘉永05、03・03
1852 嘉永05 03・03 江戸 市村 隅田川対高賀紋 すみだがわついのかがもん 隅田川対高賀紋 すみだがわついのかがもん
Theater: Ichimura
隅田川対高賀紋(すみだがわついのかがもん)
市村
1852、嘉永05、03・03
1852 嘉永05 03・03 江戸 市村 隅田川対高賀紋 すみだがわついのかがもん 隅田川対高賀紋 すみだがわついのかがもん
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Mera, Watanabe, Rat 3
Blockcutter's mark: Hori Take
改印:米良、渡辺、子三
彫師:彫竹
Blockcutter's mark: Hori Take
改印:米良、渡辺、子三
彫師:彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.