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Actors Iwai Kumesaburô III as Chôbei's Wife (Nyôbô) Otoki (R), Ichikawa Ebizô V as Banzui no Chôbei, and Ichikawa Akanbei as Chôbei's Son (Ichiko) Chômatsu (L)


「長兵へ女房お時」三代目岩井粂三郎 「幡隨院の長兵衛」五代目市川海老蔵、「長兵へ一子長松」市川あかん平
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Hayashiya Shôgorô (Japanese)
Japanese
Edo period
1850 (Kaei 3), 3rd month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban diptych; 37.5 x 51.1 cm (14 3/4 x 20 1/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.43946a-b
NOT ON VIEW
ClassificationsPrints

DescriptionPlay (second feature): Kakitsubata Tamuke no Hanakawado
Play (main feature): Arigata ya O-Edo no Kagekiyo
Theater: Kawarazaki
☆手向の☆川戸(かきつばたたむけのはなかわど)
難有御江戸景清(ありがたやおえどのかげきよ)
河原崎、二番目
1850、嘉永03、03・17
Signed Kôchôrô Toyokuni ga (on right sheet), Ichiyôsai Toyokuni ga (on left sheet)
香蝶楼豊国画 一陽斎豊国画
Marks Censors' seals: Mera, Murata
No blockcutter's mark
改印:米良、村田
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.