This female mask, called mwana pwo, was identified with beauty, fertility, and other qualities. Softly modeled with an open mouth, slit eyes in oval sockets, and delicate scarification, the mask's male dancer would have worn a costume of a skirt, feathers, and false breasts. The mask is sometimes a dialogue with a male mask, called cihongo, which is emblematic of strength and wealth. The pair appears in itinerant performances that travel from village to village.

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