Advanced Search
Advanced Search

Actors Nakamura Fukusuke I as Higuchi no Jirô Kanemitsu, Nakamura Kôzô I as Boatman (Sendô) Mataroku, Bandô Matahachi(?) as Boatman Kichiroku (R), Arashi Kichiroku I as Boatman Tomizô, Nakamura Kansuke(?) as Boatman Kansuke, and Onoe Kikujirô II as the Wife (Nyôbô) Oyoshi (L)


「樋口ノ次郎兼光」初代中村福助、「船頭又六」初代中村鴻蔵、「同吉六」坂東又八ヵ  「船頭富蔵」初代嵐吉六、「同勘介」中村翫助ヵ、「女房およし」二代目尾上菊次郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Hayashiya Shôgorô (Japanese)
Japanese
Edo period
1855 (Ansei 2), 6th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban diptych; 35.5 x 49.2 cm (14 x 19 3/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.43720a-b
NOT ON VIEW
ClassificationsPrints

DescriptionPlay: Hiragana Seisuiki
Play (main feature): Torimazete Mitate Kendai
Theater: Ichimura
ひらかな盛衰記(ひらがなせいすいき)
機臨衆目視歌案(とりまぜてみたてけんだい)
市村
1855、安政02、06・21
Signed Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
Marks Censor's seals: aratame, Hare 6
No blockcutter's mark
改印:改、卯六
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.