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「東海道五十三次の内 平塚 万長娘おこま」 三代目岩井粂三郎
Hiratsuka: (Actor Iwai Kumesaburô III as) Manchô's Daughter Okoma, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi)
「東海道五十三次の内 平塚 万長娘おこま」 三代目岩井粂三郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1852 (Kaei 5), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43310
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Fujisawa, Kabuki Edo hyakkei (2022), p. 96; Marks, Kunisada's Tôkaidô (2013), #T63-08, p. 122
DescriptionStation no. 08.
MFA impressions: 11.29067, 11.29395, 11.29398, 11.29458, 11.43310, 59.1147.19
Forms a diptych with: 59.1147.18
MFA impressions: 11.29067, 11.29395, 11.29398, 11.29458, 11.43310, 59.1147.19
Forms a diptych with: 59.1147.18
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Mera, Watanabe, Rat 3
Blockcutter's mark: Hori Take
Printer's mark: Suri Ô-hisa
改印：米良、渡辺、子三
彫師：彫竹
摺師：摺大久
Blockcutter's mark: Hori Take
Printer's mark: Suri Ô-hisa
改印：米良、渡辺、子三
彫師：彫竹
摺師：摺大久
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.