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「東海道五十三次の内 日本橋 松魚売」 三代目坂東三津五郎
Nihonbashi: (Actor Bandô Mitsugorô III as) a Fishmonger (Katsuo-uri), from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi)
「東海道五十三次の内 日本橋 松魚売」 三代目坂東三津五郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Printer: Ôumiya Hisagorô (Suri Ôhisa) (Japanese)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Printer: Ôumiya Hisagorô (Suri Ôhisa) (Japanese)
Japanese
Edo period
1852 (Kaei 5), intercalary 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.9 x 25.5 cm (14 1/2 x 10 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43298
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks, Kunisada's Tôkaidô (2013), #T63-01, p. 115; Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 7, Musee Guimet II (1990), fig. 43
DescriptionStation no. 01.
MFA impressions: *11.22514 (deaccessioned in 2012), 11.29373, 11.29374, 11.29525.4, 11.43298, 59.1147.3
MFA impressions: *11.22514 (deaccessioned in 2012), 11.29373, 11.29374, 11.29525.4, 11.43298, 59.1147.3
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Fuku, Muramatsu, Rat intercalary
Blockcutter's mark: Hori Take
Printer's mark: Suri Ô-Hisa
改印：福、村松、子閏
彫師：彫竹
摺師：摺大久
Blockcutter's mark: Hori Take
Printer's mark: Suri Ô-Hisa
改印：福、村松、子閏
彫師：彫竹
摺師：摺大久
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.