Advanced Search 
「東海道五十三次之内 石部ノ二 幸左衛門」 三代目関三十郎
Ishibe, no. 2 (Ishibe no ni): (Actor Seki Sanjûrô III as) Kôzaemon, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi)
「東海道五十三次之内 石部ノ二 幸左衛門」 三代目関三十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1852 (Kaei 5), 8th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 x 25.5 cm (14 3/8 x 10 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43279
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks, Kunisada's Tôkaidô (2013), #T63-52A, p. 158
DescriptionStation no. 52.
MFA impressions: 11.29437, 11.29525.2, 11.43279, 59.1147.80
Forms a diptych with: 11.29438, 11.29525.3, 11.43278, 59.1147.79
MFA impressions: 11.29437, 11.29525.2, 11.43279, 59.1147.80
Forms a diptych with: 11.29438, 11.29525.3, 11.43278, 59.1147.79
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Kinugasa, Murata, Rat 8
Blockcutter's mark: Hori Take
改印：衣笠、村田、子八
彫師：彫竹
Blockcutter's mark: Hori Take
改印：衣笠、村田、子八
彫師：彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.