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「涼調珍盛の七草 福岡貢」 八代目市川団十郎
Actor Ichikawa Danjûrô VIII as Fukuoka Mitsugi, from the series Seven Flourishing Plants on Lanterns for Summer Evenings (Suzumi chôchin sakari no nanakusa)
「涼調珍盛の七草 福岡貢」 八代目市川団十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1852 (Kaei 5), 6th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 x 24 cm (14 3/16 x 9 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43164
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.43164, 11.45218
Play (second feature): Ise Ondo Koi no Netaba
Play (main feature): Mukashi-banashi Sanshô Dayû
Theater: Kawarazaki
伊勢音頭恋寝刃(いせおんどこいのねたば)
昔談柄三升太夫(むかしばなしさんしょうだゆう)
河原崎、二番目
1852、嘉永05、04・28
Play (second feature): Ise Ondo Koi no Netaba
Play (main feature): Mukashi-banashi Sanshô Dayû
Theater: Kawarazaki
伊勢音頭恋寝刃(いせおんどこいのねたば)
昔談柄三升太夫(むかしばなしさんしょうだゆう)
河原崎、二番目
1852、嘉永05、04・28
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Fuku, Muramatsu, Rat 6
Blockcutter's mark: Hori Take
改印:福、村松、子六
彫師:彫竹
Blockcutter's mark: Hori Take
改印:福、村松、子六
彫師:彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.