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「模擬六佳撰（なぞらへろくかせん）」「在原業平」
Ariwara Narihira, from the series Parodies of the Six Poetic Immortals (Nazorae Rokkasen)
「模擬六佳撰（なぞらへろくかせん）」「在原業平」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirō (Shōrindō) (Japanese)
Publisher: Fujiokaya Keijirō (Shōrindō) (Japanese)
Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban;36.6 x 23.6 cm (14 7/16 x 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43125
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Signed
Kôchôrô Toyokuni ga
香蝶楼豊国画
香蝶楼豊国画
Marks
Censors' seals: Fuku, Muramatsu
No blockcutter's mark
改印：福、村松
彫師：なし
No blockcutter's mark
改印：福、村松
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.