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「模擬六佳撰（なぞらへろくかせん）」「喜撰法師」
Kisen Hôshi, from the series Parodies of the Six Poetic Immortals (Nazorae Rokkasen)
「模擬六佳撰（なぞらへろくかせん）」「喜撰法師」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.6 x 23.6 cm (14 7/16 x 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43124
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Signed
Kôchôrô Toyokuni ga
香蝶楼豊国画
香蝶楼豊国画
Marks
Censors' seals: Hama, Magome
No blockcutter's mark
改印：浜、馬込
彫師：なし
No blockcutter's mark
改印：浜、馬込
彫師：なし
InscriptionsPoem (Kokinshû 983, Hyakunin isshu 8): Waga io wa/ miyako no tatsumi/ shika zo sumu/ yo o ujiyama to/ hito wa iu nari
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.