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「二五五四好今様美人（にぢうしこうとうじのはなもの） 書画好」
Fond of Calligraphy and Painting (Shoga kô), from the series Twenty-four Enjoyments of Beauties of the Present Day (Nijûshi kô tôji no hanamono)
「二五五四好今様美人（にぢうしこうとうじのはなもの） 書画好」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Ryôko (Japanese, active 1860s–early 1870s)
Publisher: Kagaya Kichiemon (Kichibei) (Japanese)
Blockcutter: Koizumi Minokichi (Hori Mino) (Japanese, 1833–1906)
Other artist: Ryôko (Japanese, active 1860s–early 1870s)
Publisher: Kagaya Kichiemon (Kichibei) (Japanese)
Blockcutter: Koizumi Minokichi (Hori Mino) (Japanese, 1833–1906)
Japanese
Edo period
1863 (Bunkyû 3), 12th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 x 25 cm (14 3/8 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.43073
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionThe complete series: 11.43070 to 11.43093.
Signed
Ôju Toyokuni rôjin hitsu (on main image); Ryôko ga (on fan in inset)
応需豊国老人筆、了古画
応需豊国老人筆、了古画
Marks
Censor's seal: Boar 12 aratame
Blockcutter's mark: Hori Mino
Artists' seals: toshidama (on main image); Ryôko (on inset)
改印: 亥十二改
彫師: 彫巳の
Blockcutter's mark: Hori Mino
Artists' seals: toshidama (on main image); Ryôko (on inset)
改印: 亥十二改
彫師: 彫巳の
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.