The Number 10,000 (Man) for the Ôboshi Father and Son in the Ichiriki Teahouse Scene (Ichiriki no ba Ôboshi oyako): Actors Sawamura Chôjûrô V as Yuranosuke and Sawamura Tossho II (?) as Rikiya, from the series Seven Calligraphic Models for Each Character in the Kana Syllabary, Supplement (Nanatsu iroha shûi) – Works – Museum of Fine Arts, Boston

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The Number 10,000 (Man) for the Ôboshi Father and Son in the Ichiriki Teahouse Scene (Ichiriki no ba Ôboshi oyako): Actors Sawamura Chôjûrô V as Yuranosuke and Sawamura Tossho II (?) as Rikiya, from the series Seven Calligraphic Models for Each Character in the Kana Syllabary, Supplement (Nanatsu iroha shûi)

The Number 10,000 (Man) for the Ôboshi Father and Son in the Ichiriki Teahouse Scene (Ichiriki no ba Ôboshi oyako): Actors Sawamura Chôjûrô V as Yuranosuke and Sawamura Tossho II (?) as Rikiya, from the series Seven Calligraphic Models for Each Character in the Kana Syllabary, Supplement (Nanatsu iroha shûi)

「七伊呂波拾遺　（万）　一力(＝万）の場　大星親子」五代目沢村長十郎の由良之の助、二代目沢村訥升ヵの力弥

Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)

Japanese

Edo period

1856 (Ansei 3), 8th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper

Dimensions Vertical ôban; 35.4 x 24.8 cm (13 15/16 x 9 3/4 in.)

Credit Line William Sturgis Bigelow Collection

Accession Number11.43030

NOT ON VIEW

CollectionsAsia, Prints and Drawings

ClassificationsPrints

DescriptionMFA impressions: 11.43030, 11.45222

The two characters for "Ichiriki" together form the character for "10,000."

Signed Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)

Marks Censor's seals: aratame, Dragon 8
No blockcutter's mark
改印：改、辰八
彫師：なし

ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.