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Poem by Sangi Takamura: The Diving Woman of Shiga and Minamoto no Yoshitsune, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)


「小倉擬百人一首 参議篁 滋賀の蜑 源義経」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 37.5 x 25.7 cm (14 3/4 x 10 1/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.42986
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Herwig and Mostow, The Hundred Poets Compared (2007), #11; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.11
DescriptionNo. 11 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.

MFA impressions: 11.28609, 11.42986
Signed Ichiyûsai Kuniyoshi ga
一勇斎国芳画
Marks Censor's seal: Muramatsu
No blockcutter's mark
改印:村松
彫師:なし
InscriptionsPoem: Wada no hara/ yasoshima kakete/ kogiidenu to/ hito ni wa tsugeyo/ ama no tsuribune
和田の原 八十島かけて こぎ出でぬと 人にはつげよ あまの釣舟

平族を西海に亡すの節 十握の御釼浪間に沈む 義経 讃州八嶋の海士 若松母子に命じ玉ひて 海底を探らせ 宝釼を尋得たり
 柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.