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Poem by Dainagon Kintô: Yuki-hime, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)


「小倉擬百人一首 大納言公任 雪姫」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 37 x 25 cm (14 9/16 x 9 13/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.42984
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Herwig and Mostow, The Hundred Poets Compared (2007), #55; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.55
DescriptionNo. 55 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
Signed Ichiyûsai Kuniyoshi ga
一勇斎国芳画
Marks Censor's seal: Mura
No blockcutter's mark
改印:村
彫師:なし
InscriptionsPoem: Taki no oto wa/ taete hisashiku/ narinuredo/ na koso nagarete/ nao kikoekere
瀧の音は たへてひさしく なりぬれど 名こそながれて 猶きこえけれ

抜バ玉ちる倶利伽羅丸ハ 岩角に当る滝に等く 雪姫に墨絵を画と薦むる松永ハ 反逆無道の行ひに不似 如何にして斯る風雅心やありけん
 柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.