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「東海道五十三対 池鯉鮒」 八橋
Chiryû: Ariwara Narihira at Yatsuhashi, from the series Fifty-three Pairings for the Tôkaidô Road (Tôkaidô gojûsan tsui)
「東海道五十三対 池鯉鮒」 八橋
Japanese
Edo period
about 1845–46 (Kôka 2–3)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.6 x 25.3 cm (14 13/16 x 9 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42971
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Mostow, Courtly Visions (2014), fig. 163; Marks, Kunisada's Tôkaidô (2013), #T78-40; Kuboso Memorial Museum of Art, Izumi, Ise Monogatari (2007), #85; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S44.41
DescriptionStation 40, from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
MFA impressions: 11.25023, *11.28621 (deaccessioned in 2012), 11.42971, 11.45385.40
MFA impressions: 11.25023, *11.28621 (deaccessioned in 2012), 11.42971, 11.45385.40
Signed
Chôôrô Kuniyoshi ga
朝櫻楼国芳画
朝櫻楼国芳画
Marks
Censor's seal: Mura
No blockcutter's mark
改印：村
彫師：なし
No blockcutter's mark
改印：村
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.