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「百人一首絵抄 十三 陽成院」
Poem by Yôzei-in, No. 13, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô)
「百人一首絵抄 十三 陽成院」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Japanese
Edo period
about 1844 (Tenpô 15/Kôka 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37 x 25.3 cm (14 9/16 x 9 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42925
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-13; another print in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
DescriptionNo. 13 in the series.
Signed
Kunisada aratame Nidaime Ichiyôsai Toyokuni ga
国貞改二代目一陽斎豊国画
国貞改二代目一陽斎豊国画
Marks
Censor's seal: Mura
No blockcutter's mark
Artist's seal: toshidama
改印：村
彫師：なし
No blockcutter's mark
Artist's seal: toshidama
改印：村
彫師：なし
InscriptionsPoem: Tsukubane no/ mine yori otsuru/ minanokawa/ koi zo tsumorite/ fuchi to narinuru
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.